In hindsight, Topshop’s new creative design consultant Geoffrey J. Finch was always destined for the job. The Australian designer – long since adopted by the U.K. – is better known as creative director of the cult London fashion label Antipodium, where his collections are packed with sly pop culture references (Miss Piggy, Cher Horowitz, Dee-Lite) and delivered in neons, metallics, and pastels (“I love a sickly color,” he tells me).
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The Uphill Battle to Get Men in Runway Clothing
Luxury men’s fashion has often been treated like a sidekick to womenswear. It’s relegated to off-site venues in New York City during Fashion Week or tacked on as a day or two at the end of the women’s European season. It’s afforded less mainstream press than its sister industry.
Read MoreHow This Clever Designer Got His Chic Bags Into the Right Hands
In a gallery in Bloomsbury, London, 29-year-old leather craftsman Mark Tallowin has just finished washing Champagne glasses and is anxiously handing them out to his guests. Half the group are old friends, while the other half are his new contacts in the fashion industry.
Read MoreHow Mary Katrantzou Became London Fashion’s Latest Darling
Mary Katrantzou has the kind of buzzing, productive energy that you can only sustain if you never stop moving. On the day I meet her, she’s just returned to London after a trunk show tour of the U.S., where she met several of her most ardent fans.
Read MoreQ&A: Principal Susie Forbes on Condé Nast College of Fashion & Design
Two weeks ago, the brand new Condé Nast College of Fashion & Design opened its doors in London, offering two courses: the ten-week Vogue Fashion Certificate and the yearlong Vogue Fashion Foundation Diploma. The new college’s main selling point (which they are promoting aggressively via social media) is that students get an unparalleled insight into the fashion industry, with the staff of Condé Nast’s numerous U.K. publications being lined up as speakers and mentors. The courses are also making use of Condé Nast’s contacts outside the company — at this weekend’s British Vogue Festival, Sir Paul Smith mentioned he would soon be speaking at “that posh college.”
Read MoreHilary Alexander Will Stop Working. Someday.
On a very bright, very cold morning in London, Hilary Alexander is sitting at a cluttered table in her kitchen, smoking cigarettes, drinking coffee, and making a "mood book." She’s not confident that it’s going well — collage isn’t her strong point. “Normally I do words,” she says, frowning at her work.
Read MoreIn the Pits: How Fashion Week Gets Photographed
It starts with claiming your spot on the riser. Then you need something to stand on to make sure you have a perfectly clear view; something for the photographer behind you to stand on, so that he can aim his camera above your head. Then you wait in position as the editors, buyers, and front-row stars come trickling in to their seats.
Read MoreSass & Bide: The Aussie Label Trying to Make It in America
In 1999, Sarah-Jane Clarke and Heidi Middleton were just two Australian travelers selling customized jeans at London’s Portobello Market. This was the birth of Sass & Bide, a label that quickly became known for supremely low-slung jeans with two-inch zippers, and early appearances in Carrie Bradshaw's wardrobe.
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